DRUM HEAD WITH A PLURALITY OF CUSHIONED OPENINGS
    11.
    发明公开
    DRUM HEAD WITH A PLURALITY OF CUSHIONED OPENINGS 审中-公开
    鼓头与多个缓冲开口

    公开(公告)号:EP3192067A1

    公开(公告)日:2017-07-19

    申请号:EP14792555.6

    申请日:2014-09-08

    申请人: Vaida, Christian

    发明人: Vaida, Christian

    IPC分类号: G10D13/02

    摘要: A drum head, particularly for bass drum, has rounded openings close to its outer margin, which are padded with U-shaped toroidal dampers of felt or open-cell plastic foam.

    摘要翻译: 鼓头,尤其是低音鼓的鼓头在其外缘附近具有圆形开口,这些开口用毡或开孔塑料泡沫的U形环形缓冲器填充。

    Snare drum
    12.
    发明公开
    Snare drum 审中-公开
    Schlingentrommel

    公开(公告)号:EP2690617A3

    公开(公告)日:2017-01-04

    申请号:EP13020056.1

    申请日:2013-07-22

    发明人: Hashimoto, Ryuji

    IPC分类号: G10D13/02

    摘要: A snare drum (10) has a hollow cylindrical shell (11), a batter head (12) mounted on one end of the shell (11), a snare side head (13) mounted on the other end of the shell (11) and a snare wire (14) whose both ends are held by the both sides of the shell (11) to span across the surface of the snare side head (13). The snare side head (13) has a plurality of through-holes (13c). As a result, the snare drum (10) reduces sound volume while maintaining natural timbre and feeling of striking a snare drum.

    摘要翻译: 小铃鼓(10)具有中空圆柱形壳体(11),安装在壳体(11)的一端的面糊头部(12),安装在壳体(11)的另一端上的圈套侧头部(13) 以及其两端由所述壳体(11)的两侧保持以覆盖所述圈套侧头部(13)的表面的圈套丝(14)。 圈套侧头部(13)具有多个通孔(13c)。 结果,小鼓(10)在保持自然音色和敲击小鼓的感觉的同时减小音量。

    MUSICAL DRUMHEAD WITH TONAL MODIFICATION
    16.
    发明公开
    MUSICAL DRUMHEAD WITH TONAL MODIFICATION 审中-公开
    有声音变型音乐耳膜

    公开(公告)号:EP3012831A3

    公开(公告)日:2016-06-08

    申请号:EP15167191.4

    申请日:2015-05-11

    申请人: Remo, Inc.

    IPC分类号: G10D13/02

    CPC分类号: G10D13/027 G10D13/021

    摘要: A musical drum comprised of a drumshell and a drumhead is provided, which includes a composite of tonal modifiers acting synergistically for dampening drum sounds by eliminating high frequencies and overtones. The tonal modifiers include a first tonal modifier comprised of synthetic material, a second tonal modifier bonded to the synthetic material in overlaying relation, a third tonal modifier positioned upon the second tonal modifier in over-laying relation, and a fourth tonal modifier bonded to the central portion of the third tonal modifier in overlaying relation, the combination of which co-operate to break down the various levels of harmonics to their purest form resulting in a unique sound and vibrational experience provided in a therapeutic context for the well-being of a person.