摘要:
Une commande de la hauteur tonale sert à corriger automatiquement la hauteur tonale en fonction d'une tonalité variable en fonction de l'harmonie, notamment la tonalité harmonique, dans un instrument de musique ayant un agencement d'entrée de signaux de notes dans une tonalité fixe prédéterminée, notamment la tonalité tempérée, et un agencement générateur de sons auquel sont appliqués les signaux d'entrée de notes. La commande de la hauteur tonale comprend un circuit (28) de reconnaissance d'accords qui détermine dans le cas de chaque ensemble de signaux entrés correspondant à un accord si cet ensemble de signaux entrés correspond à un accord parmi une pluralité prédéterminée d'accords, un circuit (34) de mémorisation d'ensembles de signaux qui enregistre un ensemble de signaux pour chaque accord parmi la pluralité d'accords prédéterminés et un circuit de commande (32) qui, lorsque le ciruit de reconnaissance d'accords détermine qu'un ensemble de signaux correspondant à un des accords prédéterminés a été appliqué, amène le circuit de mémorisation (34) d'ensembles de signaux à appliquer l'ensemble de signaux correspondant à l'accord ainsi déterminé à l'agencement générateur (20) de sons, afin de générer l'accord correspondant à la tonalité variable.
摘要:
[ EP 16 163 153 ] A method for applying effects to one or more instruments tracks for a musical compilation is disclosed. The method comprises identifying a first virtual musician avatar to be associated with a first instrument track; identifying a virtual producer avatar to be associated with a plurality of first instrument tracks; applying a first series of effects to the first instrument track, the first series of effects being one of predefined sets of music characteristics represented by a visual aspects of the virtual musician avatar; and applying second series of effects in parallel to each of split first instrument tracks, the second series of effects being preconfigured effect (such as sound levels or mix matrix coefficients) sets identified by a visual aspect of the virtual producer avatar. The functions of a music studio for both recording and mastering are thus performed virtually, e.g. in a video game or in a music workstation, resulting in a music production in the real world.
摘要:
A system and process for producing a more harmonious musical accompaniment for a musical compilation, the process comprising determining a plurality of probable key signatures for the musical compilation, creating an interval profiling matrix for each of the probable key signatures, finding products of a major key interval profile matrix with each of the interval profiling matrices, summing each of the major key interval products into a running major key sum, finding a product of a minor key interval profile with each of the interval profiling matrices, summing each of the minor key interval products into a running minor key sum, and selecting the most probable key signature from the plurality of probable key signatures by comparing the minor key sum and the major key sum.
摘要:
A musical instrument and a method which retunes and adjusts volumes in response to the chord being sustained and the way that chord is voiced. The instrument is capable of producing tones, the intervals between which are equal tempered intervals of a twelve note octave, and tones, the intervals between at least some of which are determined by identifying at least selected ones of the notes the instrument is being commanded to produce. The method includes identifying the at least selected ones of the notes the instrument is being commanded to produce, providing a map for mapping the identified notes to a chord type, identifying a note in that chord type, and substituting a frequency closer to a harmonic of the identified note for the frequency of at least one harmonic of at least one other note the instrument is being commanded to produce.
摘要:
The present invention contains three methods for quickly deducing the fundamental frequency of a complex wave form or signal. One method uses the relationships between and among the frequencies of higher harmonics including ratios of frequencies, differences between frequencies, ratios of frequency differences, and relationships stemming from the fact that harmonic frequencies are modeled by functions of an integer variable whose values represent harmonic ranking numbers. Another method depicts the predicted/modeled relationships of the harmonics of selected frequency registers on logarithmic scales, records the frequencies of detected partials on like scales, and moves the scales with respect to each other searching for a match of three harmonics. When such a match is found, possible harmonic ranking numbers and the implied fundamental frequency can be extracted directly. When the detected partials match more that one set of predicted/modeled harmonic relationships, algorithms of the first method are used to select the deduced fundamental. By still another method, harmonic frequencies for a plurality of fundamentals are amassed and organized so that partials linked to an unknown fundamental can be compared with them and the unknown fundamental deduced.