Tuning notes in a chord
    1.
    发明公开
    Tuning notes in a chord 审中-公开
    维吾尔人在西班牙Zusammenklang登记

    公开(公告)号:EP1465151A2

    公开(公告)日:2004-10-06

    申请号:EP04012924.9

    申请日:1999-10-29

    发明人: Smith, Jack W.

    IPC分类号: G10H1/38 G10H1/44

    摘要: To tune notes in a chord, activated notes tuned to a first scale are received A sustained chord is determined as a group of activated notes whose time of activation exceeds a threshold A chord type is determined from the group of the activated notes of the sustained chord. The chord interval positions occupied by each of the notes of the sustained chord, and the order and spread of the interval positions are determined. Selected notes of the group are retuned based on the determined chord type and order and spread of the interval positions in the chord.

    摘要翻译: 调整和弦中的音符的方法,包括:接收调谐到第一比例的激活音符; 将持续和弦确定为激活时间超过阈值的一组激活音符; 从所述持续和弦的激活音符的组中确定和弦类型; 确定持续和弦的每个音符占据的和弦间隔位置以及间隔位置的顺序和扩展; 并且基于所确定的和弦类型和和弦中的间隔位置的顺序和扩展来返回组的所选音符。

    JUST INTONATION TUNING
    4.
    发明公开
    JUST INTONATION TUNING 失效
    只是音调调整

    公开(公告)号:EP0744067A1

    公开(公告)日:1996-11-27

    申请号:EP95910201.0

    申请日:1995-02-10

    IPC分类号: G10B3 G10G7 G10H1

    摘要: Apparatus for adjusting the tuning of a musical instrument to cause the instrument to sound in just intonation while the instrument is being played comprises a data base in memory (52) for storing an array of just intonation tone identifiers (54). The tone identifiers in the array are arranged by key, chordal root and tone according to just intonation relationships defined by the ratios of a scale selected by the musician. A selector unit (20) is provided for enabling a musician to select a key (22) and/or a chordal root (24), as a result of which a CPU (48) retrieves from the array a set of tone identifiers in just intonation corresponding to the selected key or chordal root and transmits them to the sounding means of the instrument. The system may be used with electronic tone generators (42), instruments with strings (65), and organ pipes (102).

    摘要翻译: 用于调节乐器调谐以使得乐器在正在播放时以正好声调发声的装置包括用于存储刚好声调音识别符(54)的阵列的存储器(52)中的数据库。 根据由音乐家选择的音阶比率定义的正义语调关系,按键,弦根和音调排列阵列中的音调标识符。 提供选择器单元(20),用于使音乐家能够选择键(22)和/或弦根(24),其结果是CPU(48)从阵列中检索一组音调标识符 对应于选定的琴键或弦根的语调,并将它们传送到乐器的发声装置。 该系统可与电子音调发生器(42),带弦乐器(65)和风琴管(102)一起使用。

    TONHÖHENSTEUERUNG
    7.
    发明授权
    TONHÖHENSTEUERUNG 失效
    触摸控制系统

    公开(公告)号:EP0379491B1

    公开(公告)日:1993-02-24

    申请号:EP88907064.5

    申请日:1988-08-03

    申请人: MOHRLOK, Werner

    发明人: MOHRLOK, Herwig

    IPC分类号: G10H1/38 G10H1/20

    摘要: A pitch-control system automatically corrects the pitch in accordance with a harmony-dependent, variable key, in particular the harmonic key, for a musical instrument having an input device for inputting note input signals in a predetermined fixed key, in particular the tempered key, and a sound-generating device to which the note input signals are applied. The pitch-control system comprises a chord-recognition circuit which determines, for each input signal pattern corresponding to a chord, whether the input signal pattern corresponds to a chord pattern in a predeterined plurality of chord patterns, a signal pattern memory circuit (34) which records a signal pattern for each chord pattern in the predetermined plurality of chord patterns, and a control circuit (32) which, when the chord recognition circuit determines that an input singal pattern corresponding to one of the predetermined chord patterns is applied, causes the signal pattern memory circuit (34) to apply the signal pattern corresponding to the chord pattern so determined to the tone-generating device (20) for generation of the chord corresponding to the variable key.

    VIRTUAL PRODUCTION OF A MUSICAL COMPOSITION BY APPLYING CHAIN OF EFFECTS TO INSTRUMENTAL TRACKS.

    公开(公告)号:EP3059886B1

    公开(公告)日:2018-06-20

    申请号:EP16163153.6

    申请日:2012-07-30

    IPC分类号: G10H1/00 H04H60/04 H04N5/222

    摘要: [ EP 16 163 153 ] A method for applying effects to one or more instruments tracks for a musical compilation is disclosed. The method comprises identifying a first virtual musician avatar to be associated with a first instrument track; identifying a virtual producer avatar to be associated with a plurality of first instrument tracks; applying a first series of effects to the first instrument track, the first series of effects being one of predefined sets of music characteristics represented by a visual aspects of the virtual musician avatar; and applying second series of effects in parallel to each of split first instrument tracks, the second series of effects being preconfigured effect (such as sound levels or mix matrix coefficients) sets identified by a visual aspect of the virtual producer avatar. The functions of a music studio for both recording and mastering are thus performed virtually, e.g. in a video game or in a music workstation, resulting in a music production in the real world.