Abstract:
Musical tone signals in electrical form are applied to a plurality of formant filters which are tuned dynamically by player operated controls and by electronically generated control signals. Control signal shaping networks or special potentiometer controls are switched in a number of ways to produce different formant frequency response patterns including one similar to that of the human vocal tract producing dipthongs. The disclosure includes filters which are responsive in tuning to a control voltage and filters in which both inductive and capacitive components are varied for tuning so a nearly constant Q is maintained over wide tuning ranges.
Abstract:
An improved system is provided for automatically playing bass notes for root and fifth parts of manually held accompaniment chords, including diminished and augmented chords, and for performing pedal sustain keying functions. Latching circuits are provided which respond to actuation of playing keys or pedals and which store the response to the last pedal actuated. The system also includes circuitry for keying bass tones for actuated pedals and for the root and fifth parts of manually played chords. This circuitry includes a set of gates which are each enabled by an associated latching circuit, inhibited by other latching circuits, and inhibited by outputs from other operated gates. The system further includes keying bus sensing and controllable ratio frequency dividers to cover a multiple octave range and to reduce the number of pins required for an integrated circuit pack to implement the system.
Abstract:
A time-point generator includes a polystage multivibrator for producing pulse signals of a predetermined frequency and spacing, a logic sequencer controlled by said multivibrator, means connected to the multivibrator for changing the spacing of some of the pulses, and gating means controlled by the output of the multivibrator and by the output of the logic sequencer, the timepoint generator being disclosed as forming part of an automatic rhythm device.
Abstract:
The 12 playing keys of an octave range on a standard keyboard each apply a set of chord tone signals to a chord modulator and the root and fifth parts also through input selection gates to a bass divider. Auxiliary controls or an automatic rhythm device drives the input selection gates to alternate the root and fifth parts in the bass and also drives the chord modulator and a bass keyer for various rhythmic patterns of chord and bass. A musical key selector picks any of six pairs of musical keys and controls the tone signals responsive to the playing keys so the chords produced are diatonic chords of the pair of selected musical keys. Other auxiliary controls allow the player to add or delete chord parts and to change the types of chords. Diode keyers feeding into current mixers allow multiple drives without introducing crosstalk and so minimize the number of keyers required.