Abstract:
An electronic musical instrument has a tone generation mode selecting switch capable of selecting a tone generation mode associated with an arbitrary one of a keyboard instrument play mode, a stringed instrument play mode and a wind instrument play mode, and a CPU for controlling the tone generation mode for a tone generator in accordance with the selection. This electronic musical instrument serving as a so-called tone generator module, can be driven by a MIDI signal supplied to a MIDI circuit from an external unit.
Abstract:
A modulation effect device is implemented by utilizing a fact that a phase or frequency of an output signal from a digital filter can be varied by varying a filter-coefficient according to a lapse of time. A musical tone signal inputted into the digital filter is phase-or frequency-modulated in accordance with the variation of the filter coefficient, thereby imparting such modulation effect as vibrato, chorus or ensemble (symphonic chorus) to the musical tone signal.
Abstract:
A microcomputer based synthesizer having a digital keyboard, digital envelope generators, voltage controlled amplifiers and filters, and numerous potentiometer type presets is disclosed. The presets are scanned by the microcomputer, converted to digital form, stored for recall on demand in a non-volatile memory, converted to exponential form by use of a look-up table when required, and output to clamp-and-hold circuits associated with each voltage controlled circuit. Each preset sample and hold operation is followed by a scan of the keyboard to minimize the impact of the capture system on the keyboard scanning rate.
Abstract:
This invention provides an electronic musical instrument capable of producing plural musical tones simultaneously and also capable of controlling the pitch, tone color and volume of the musical tones in response to a player's finger touch on a key.Transducers capable of electrically detecting the finger touch, i.e. factors including pressure and speed of depression and displacement of the key, are provided for respective keys. Analog outputs of these transducers are sampled and multiplexed in time sharing by each of channels of the number equal to a maximum number of musical tones to be produced simultaneously, and each of the multiplexed signals is held in a corresponding one of condensers provided in the respective channels. The pitch, tone color and volume are controlled in accordance with the magnitudes of voltages held in these condensers. Suitable discharging circuits are connected to these holding condensers. There are also provided means for variably controlling discharging characteristics of the discharging circuits in response to the magnitudes of the voltages held in the condensers and for varying the discharging characteristics stepwisely upon release of the key or at a desired time point thereafter.
Abstract:
An electrical musical instrument amplifier is disclosed in which a signal which has been provided by an instrument to a second one of two different preamplifiers for amplification therein is passed to one of the inputs of a summing amplifier together with the output of the first preamplifier, the output of the summing amplifier being coupled through a tube driven power amplifier to a loudspeaker system. The amplified signal from the second preamplifier is applied to a second input of the summing amplifier via a circuit arranged as a voltage divider and having a variable resistance provided by a field effect transistor driven by an oscillator. The modulation provided by the field effect transistor and associated oscillator can be adjusted to provide total phase reversal as well as amplitude modulation when combined with the signal at the output of the second preamplifier, to provide a tremolo or vibrato effect. Improved reverberation control is provided by a control common to the volume controls of both a delayed reverberation signal from the second preamplifier and the combined signal which results when the instrument signal from the second preamplifier is combined with the delayed reverberation signal. The power amplifier can be operated in a distortion mode to achieve desirable harmonics without overloading the voice coils in an attached speaker system through use of a power supply which applies reduced voltages to the power amplifier whenever the gain of the power amplifier is adjusted to a high setting while at the same time regulating the voltage applied to the first and second preamplifiers to keep such voltage constant.