Abstract:
Motion picture scenes to be colorized/depth enhanced (2D→3D) are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors and/or depths are automatically applied to masks throughout a scene from the composite background, translucent, motion objects. Areas never exposed by motion or foreground objects in a series of images may be partially or fully realistically drawn or rendered and applied to the occluded areas of the background and then automatically applied throughout the images to generate of minimal artifact or artifact-free secondary viewpoints when translating foreground objects horizontally during 2D→3D conversion.
Abstract:
Movies to be colorized/depth enhanced (2D->3D) are broken into backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors/depths are automatically applied with masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects may be partially or fully realistically drawn/rendered/applied to the occluded areas and applied throughout the images to generate artifact-free secondary viewpoints during 2D->3D conversion. Iterative workflow is eliminated for simple artifact correction through real-time manipulation of images to avoid re-rendering of images and associated delays of sending work product to other workgroups for correction.
Abstract:
Motion picture scenes to be colorized/depth enhanced (2D→3D) are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors and/or depths are automatically applied to masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects in a series of images may be partially or fully realistically drawn or rendered and applied to the occluded areas of the background and then automatically applied throughout the images to generate of minimal artifact or artifact-free secondary viewpoints when translating foreground objects horizontally during 2D→3D conversion.
Abstract:
Motion picture scenes to be colorized/depth enhanced (2D->3D) are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors and/or depths are automatically applied to masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects in a series of images may be partially or fully realistically drawn or rendered and applied to the occluded areas of the background and then automatically applied throughout the images to generate of minimal artifact or artifact-free secondary viewpoints when translating foreground objects horizontally during 2D->3D conversion.
Abstract:
Motion picture scenes to be colorized/depth enhanced (2D->3D) are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors and/or depths are automatically applied to masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects in a series of images may be partially or fully realistically drawn or rendered and applied to the occluded areas of the background and then automatically applied throughout the images to generate of minimal artifact or artifact-free secondary viewpoints when translating foreground objects horizontally during 2D->3D conversion.
Abstract:
Motion picture scenes to be colorized/depth enhanced (2D→3D) are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined separately into single frame representations of multiple frames which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Each pixel address within the database corresponds to a mask/lookup table address within the digital frame and X, Y, Z location of subsequent frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting of all masks or single masks in an entire frame, bezier and polygon tracing of selected regions with edge detected shaping and operator directed detection of subsequent regions. Colors and/or depths are automatically applied to masks throughout a scene from the composite background and to motion objects.
Abstract:
Synchronizes a secondary audio track to a video. Analyzes at least one track of a video using audio frequency analysis or spectrograms, image analysis or text analysis to find distinct audio/image/caption events from which to ensure synchronization of a secondary audio track. For example, commentary that mocks a character may be played immediately after a particular noise in the audio track of a video occurs such as a door slam. Keeping the secondary audio track in synch with the audio track of a video is performed by periodically searching for distinct events in a track of a video and adjusting the timing of the secondary audio track. May utilize a sound card on a computer to both analyze a DVD sound track and play and adjust timing of the secondary audio track to maintain synchronization. Secondary audio tracks may be purchased and/or downloaded and utilized to add humorous external commentary to a DVD for example.
Abstract:
Motion picture scenes to be colorized are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined separately into single frame representations of multiple frames which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Each pixel address within the database corresponds to a mask/lookup table address within the digital frame and X, Y, Z location of subsequent frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting of all masks or single masks in an entire frame, bezier and polygon tracing of selected regions with edge detected shaping and operator directed detection of subsequent regions. The gray scale actively determines the mask and corresponding color lookup that is applied in a keying fashion within regions of interest.
Abstract:
Movies to be colorized/depth enhanced (2D->3D) are broken into backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors/depths are automatically applied with masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects may be partially or fully realistically drawn/rendered/applied to the occluded areas and applied throughout the images to generate artifact-free secondary viewpoints during 2D->3D conversion. Iterative workflow is eliminated for simple artifact correction through real-time manipulation of images to avoid re-rendering of images and associated delays of sending work product to other workgroups for correction.
Abstract:
Motion picture scenes to be colorized/depth enhanced (2D→3D) are broken into separate elements, backgrounds/sets or motion/onscreen-action. Background and motion elements are combined into composite frame which becomes a visual reference database that includes data for all frame offsets used later for the computer controlled application of masks within a sequence of frames. Masks are applied to subsequent frames of motion objects based on various differentiating image processing methods, including automated mask fitting/reshaping. Colors and/or depths are automatically applied to masks throughout a scene from the composite background and to motion objects. Areas never exposed by motion or foreground objects in a series of images may be partially or fully realistically drawn or rendered and applied to the occluded areas of the background and then automatically applied throughout the images to generate of minimal artifact or artifact-free secondary viewpoints when translating foreground objects horizontally during 2D→3D conversion.