Abstract:
A singing voice conversion system configured to generate a song in the voice of a target singer based on a song in the voice of a source singer is disclosed. The embodiment utilizes two complementary approaches to voice timbre conversion. Both combine the natural prosody of a source singer with the pitch of the target singer—typically the user of the system—to achieve realistic sounding synthetic singing. The system is able to transpose the key of any song to match the automatically determined or desired pitch range of the target singer, thus allowing the system to generalize to any target singer, irrespective of their gender, natural pitch range, and the original pitch range of the song to be sung.
Abstract:
Recorded media is produced by a method for transcoding music, according to various aspects of the present invention, includes in any practical order: (a) reading indicia of a plurality of notes, each note having pitch and duration; (b) selecting a reference pitch; (c) determining indicia of tone from the reference pitch and the pitch of each note; and (d) outputting for use by an engraving engine, indicia of an apposite staff and indicia of tones and durations corresponding to the plurality of notes.
Abstract:
A time-varying formant is generated at a formant frequency by generating first and second harmonic phase signals having first and second harmonic numbers, respectively, in relation to a modulation frequency. The first and second harmonic phase signals are generated in proportion to a master phase signal, which varies at the modulation frequency, modulo a factor corresponding to their harmonic numbers. First and second sound signals, based on the first and second harmonic phase signals, are frequency modulated to create an arbitrarily rich harmonic spectrum, depending on an FM index. The time-varying formant is generated by generating a time-varying combination of the first and second harmonic sound signals, weighting the first and second harmonic sound signals in accordance with their spectral proximities to the formant frequency. One or more of the harmonic numbers are updated when the time-varying formant frequency passes the frequency of either sound signal.
Abstract:
Disclosed herein are systems, methods, and non-transitory computer-readable storage media for allowing independent control of a formant position and inharmonic content in sound synthesis. In one aspect, this allows continuous shifting of the formant across a spectrum without producing any inharmonic spectral content. In a second aspect, this also makes it possible to generate sound with a defined inharmonic content amount and still move a formant position without changing the inharmonic content amount or to continuously change the amount of inharmonic content without significantly changing the formant position. The disclosed technology uses multiple modulators that are applied to a carrier signal by a weighted sum of their outputs.
Abstract:
Disclosed herein are systems, methods, and non-transitory computer-readable storage media for allowing independent control of a formant position and inharmonic content in sound synthesis. In one aspect, this allows continuous shifting of the formant across a spectrum without producing any inharmonic spectral content. In a second aspect, this also makes it possible to generate sound with a defined inharmonic content amount and still move a formant position without changing the inharmonic content amount or to continuously change the amount of inharmonic content without significantly changing the formant position. The disclosed technology uses multiple modulators that are applied to a carrier signal by a weighted sum of their outputs.
Abstract:
Variation over time in fundamental frequency in singing voices is separated into a melody-dependent component and a phoneme-dependent component, modeled for each of the components and stored into a singing synthesizing database. In execution of singing synthesis, a pitch curve indicative of variation over time in fundamental frequency of the melody is synthesized in accordance with an arrangement of notes represented by a singing synthesizing score and the melody-dependent component, and the pitch curve is corrected, for each of pitch curve sections corresponding to phonemes constituting lyrics, using a phoneme-dependent component model corresponding to the phoneme. Such arrangements can accurately model a singing expression, unique to a singing person and appearing in a melody singing style of the person, while taking into account phoneme-dependent pitch variation, and thereby permits synthesis of singing voices that sound more natural.
Abstract:
A data synthesis apparatus detects the start of a period of voice waveform data, stores the voice waveform data in a first storage device, starting with its part indicative of the start of the detected period. The apparatus stores in a second storage device musical-sound waveform data including information on pulses having a specified period, and then performs a convolution operation on the voice waveform data stored in the first storage device and the musical-sound waveform data stored in the second storage device, thereby outputting synthesized waveform data synchronized with the specified period of the musical-sound waveform data stored in the second storage device.
Abstract:
According to the invention, formant waveform signals which are waveforms synthesized from frequency components corresponding to formants of musical tones, are stored and read out or generated. When such formant waveform signal is read out or generated, the density of frequency components of the formant of the formant waveform signal is controlled and also the frequency of a formant center signal which is to be synthesized is a center signal with the formant waveform signal is controlled. In this way, the formant waveform signal is synthesized on the formant center signal. Thus, the density of formant frequency components and the formant center signal frequency can be controlled separately and independently. Further, the kind of formant waveform signal is switched according to musical factors of musical tone. Thus, different kinds of formant waveform signals to be output are switched according to musical factors of musical tones.
Abstract:
Apparatus for chorus effect in an electronic musical instrument in which a passing circuit for a musical tone signal is obtained from a musical tone signal generator by operation of a key. The passing circuit is connected to a plurality of variable delay circuits which are individually controlled by a plurality of delay control signals generated by a delay control signal generator. The passing circuit for the musical tone signal has a format filter, as well as a keying signal generating circuit. An output terminal of this keying signal generating circuit is connected to a voice production initial stage change control signal generator. The latter control signal generator has an output terminal connected to the musical tone signal generator or the delay control signal generator. The voice production initial stage change control signal generator, furthermore, has a network which generates a control signal which is largely disordered from its steady state and is then damped to restore to the steady state, upon application of a keying signal generated from the keying signal generating circuit. The voice production initial stage change control signal generator, may include a low frequency oscillator for generating a vibrato signal which is disordered by a keying signal generated by the keying signal generating circuit.
Abstract:
A data synthesis apparatus detects the start of a period of voice waveform data, stores the voice waveform data in a first storage device, starting with its part indicative of the start of the detected period. The apparatus stores in a second storage device musical-sound waveform data including information on pulses having a specified period, and then performs a convolution operation on the voice waveform data stored in the first storage device and the musical-sound waveform data stored in the second storage device, thereby outputting synthesized waveform data synchronized with the specified period of the musical-sound waveform data stored in the second storage device.